15/47
The world’s greatest opera singer Maria Callas spends the last years of her life in Paris in the 70s, as she confronts her identity and her life. Angelina Jolie and director Pablo Larrain talk about how they came to be involved with the heartbreaking true story of world-famous opera singer Maria Callas. After Jackie (2016) and Spencer (2021), the third and final film in Pablo Larrain’s so-called “The Lady in Heels” female biographical trilogy. Maria Callas: Book me a table in a restaurant where the waiters know who I am. I’m in the mood for praise: Why do we need the Venice Film Festival? (2024) Otello, act 4: “Ave Maria” (Desdémona)Maria Callas, played by the Conservatory Concert Society: Nicola Rescigno Written by Giuseppe Verdi, Arrigo BoitoWarner Classics Edition, (p) Parlophone Recorded Limited 1964 Parlophone Recorded4 ner band Germany Warner Music Group Holding GmbH. I’m sure this film was made with a lot of care and love, but what was missing most, in my opinion, was the breathing. Opera singers learn to control their breathing in order to breathe ours. I agree with the other less favorable reviews that the opening scene was indeed a bad example of a replay, especially since I didn’t see Miss Jolie breathing! Of course, La Callas lived an impressive life, but for me, it seemed that too much attention was paid to the visuals in this film. This is a film that I put off watching until the very end, and I regret it. I also had high hopes for these two models. “One Hundred Years of Solitude” is the biggest TV and streaming premiere this month. Check out our December calendar for more details!
